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La MaMa Features “The Doll Sisters” Yet Again

For many people, Manhattan is the center of many world cultures and who am I to dispute that? Different places mean different things to different people. Anyhow, if you are interested in the Japanese culture and you are in the vicinity of Manhattan, you might want to pay the La MaMa Experimental Theater Club a visit anytime between October 23 and November 2 of this year.

They will be featuring “The Doll Sisters,” a legendary masterpiece that combines the use of puppets and a variety of Japanese performance styles. Expect to experience both ancient and contemporary performance styles as you watch the production.

Together with Atelier Asakura, La MaMa is holding the production in celebration of the 20th anniversary of the Praemium Imperiale (Takamatsu no Miya Memorial World Cultural Award). This award is meant specifically for outstanding artists and has been in existence since 1989, at the orders of the Japanese Emperor. This award is so prestigious that it has been likened to the Nobel Prize for art.

This is not the first time that the production has been held at La MaMa. In October of 1978, Setsu Asakura directed a version of “The Doll Sisters.” Though it ran for only 5 days, the production became a hit and has since then been regarded as one of the best cultural productions.

What is the production about? News Blaze reports:

In “The Doll Sisters,” two sisters are paralleled by a doll character, who are revealed finally to be the two natures of the single woman. The younger, more passionate sister is obsessed with finding a man to love her; her older, more reserved sister is obsessed with the man who abandoned her. On the modern psychological level, the play explores opposing qualities, both innate and acquired, of being female. It has strongly feminist tones.

Wadaiko

wadaiko
Music is an inherent part of most any culture in existence and the Japanese culture is not exempt from this. One of the significant aspects of Japanese music is their unique art of drumming, called wadaiko or traditional Japanese drumming in English. Wadaiko makes use of traditional drums called taiko. In some cases, wadaiko is also used to refer to the drums themselves.

Though largely considered Japanese today, the origins of wadaiko can actually be traced back to China. These large drums were carried over about 1000 years ago. The original drums from China were made of wooden slats. The innovative Japanese noticed the inferior sound resulting from the wooden slats so they worked on a new way to produce the wooden frame. Instead of using wooden slats which were joined together, the new waidako was made from a single piece of wood.

Japanese drumming was used early on in relation to martial arts activities. Today, however, wadaiko ensembles are well known in many parts of the world for leisure purposes. Daihachi Oguchi is considered to be the father of modern taiko and the popularity of taiko performances has been attributed to him. Since then, there have been many individuals and groups who have emerged to introduce taiko performances to the rest of the world.

Today, taiko performances have evolved to include flashy choreography. The music itself has also evolved to incorporate modern music elements such as pop. If you want to find out more about wadaiko by experiencing a performance live, try to check out your local Japanese embassy or cultural office. The chances are that there will be at least one event showcasing wadaiko.

Sakuran

Sakuran

Sakuran, a film by renowned photographer, Mika Ninagawa, made waves in Japan. Sakuran revolves around the lives of women called oiran.

The oiran were women that existed during the Edo era. The oiran lived in self-contained “Pleasure Quarters” and like geishas were required to be well-versed with the arts of dance, music, poetry and calligraphy, and conversation. However, unlike geishas, the oiran were prostitutes, although they were considered to be elite prostitutes. Also unlike the movie, Memoirs of a Geisha, the movie about the oiran had a good reception Japan.

This could have been due to the more unsentimental approach of the film wherein the main character, a tayu (one of the highest ranking courtesans), had no silly day dreams of a prince in a shining armor but only wished to escape her life. It showed a far stronger breed of women, which is something modern women can relate to more easily.

Japan’s Geishas – Living Art

Geisha

Geishas are the subject of much speculation from any other world outside Japan. Despite their fame the western world and even other eastern cultures do not completely understand the mystique that surrounds geishas. According to Liza Dalby, an American anthropologist who did research on geishas, the misunderstandings are probably due to the fact that there is no comparable group to them in other societies and so people have no basis on which to compare them to. Geishas are often mistaken by people as some kind of elite prostitutes, which is definitely not the case. In fact the word geisha comes from gei, meaning art, and sha, meaning a person.

To be a geisha one has to be well-trained in the traditional manner, etiquette, and various arts. One will need to master not only the intricacies of wearing a kimono but seemingly mundane stuff such as how to greet customers properly, how to serve a meal, and how to make conversation. Geishas aim to entertain but are at the same time a living piece of art.